节目单与简介.docx

Sugar Fish Reed Trio: Ms. KaDee Bramlett, oboe Dr. Dawn Marie Lindblade, clarinet Dr. Lori Wooden, bassoon & Dr. Robert Glaubitz, baritone PROGRAM WILL BE SELECTED FROM THE FOLLOWING WORKS Cinq Pièces en trio Allegro vivo Andantino Allegro assai Andante Allegro quasi marziale Jacques Ibert (1890-1962) Rustiques Pastorale Rêverie Rondeau à la française Joseph Canteloube (1879-1957) Trio for oboe, clarinet and piano Décidé Romance Final Georges Auric (1899-1983) Three Observations for Three Woodwinds, Op. 41 Ironic Canonic Tangonic Mabel Daniels (1878-1971) Habanera from ‘Aires Tropicales’ Paquito D’Rivera (b. 1948) Trio for Oboe, Clarinet and Bassoon Bebop Cantando Dragon Bill Douglas (b. 1944) Sugar Fish Reed Trio 6 Deutsche Lieder, Op. 103 Sei still mein Herz Sehnsucht Das heimliche Lied Wach auf Louis Spohr (1784-1859) Robert Glaubitz, baritone Dawn Marie Lindblade, clarinet They Can’t Take That Away From Me Love Walked In I Got Rhythm George Gershwin (1898-1937) Les Berceaux Lydia (1845-1924) Mandoline Gabriel Faure Robert Glaubitz, baritone The Sugar Fish Reed Trio was formed in 2012 and draws its name from an unfortunate cooking incident. Members KaDee Bramlett (oboe), Dawn Marie Lindblade (clarinet) and Lori Wooden (bassoon) are good friends and faculty at the University of Central Oklahoma. With double reed instruments becoming an endangered species in the public schools in the United States, and inspired by the large repertoire from the publishing company L’oiseau-Lyre (and more specifically to the commissioning efforts of the extraordinary Louise B. M Hanson-Dyer (1884-1962), its founder and influential music patron) -- Sugar Fish hopes to bring the reed trio to the forefront of Chamber Music in the state of Oklahoma and beyond. Sugar Fish members recently recorded a CD of works by composer Bill Douglas in collaboration with pianist Kevin Casey that will be released next year. In the future, Sugar Fish has intentions to support the composition of new music for this instrumentation by up-and-coming female composers and to draw more attention to this fascinating sound combination. KaDee Bramlett teaches oboe, music theory, and aural skills. She holds a Master of Music degree in oboe performance from Arizona State University, where she studied with Martin Schuring and holds a Bachelor of Music degree in oboe performance from the University of Central Oklahoma where she graduated as the Class Marshall for the College of Arts, Media, and Design (now the College of Fine Arts and Design). Ms. Bramlett is currently working toward a Doctor of Musical Arts degree at the University of Oklahoma. In addition to teaching at UCO, Ms. Bramlett is a member of the Sugar Fish reed trio, the Edmond Chamber Orchestra, and is a freelance performer. She maintains an active private oboe studio and is the founder and director of Quantum Calm, a modern chamber music ensemble with the mission of performing in venues such as yoga studios, labyrinth walks, and meditation classes. KaDee Bramlett is a soloist with the University of Central Oklahoma Chamber Collegium on the piece "Firecracker" released on the album "American Byways: The Music of Michael Daugherty", which is currently available on iTunes. Ms. Bramlett is a member of the International Double Reed Society, the Midwest Double Reed Society, and Pi Kappa Lambda. She strives to guide and inspire her students to become successful, professional musicians in an ever-changing music industry. Dr. Dawn Marie Lindblade, Associate Professor of clarinet at the University of Central Oklahoma, joined the faculty in the fall of 2011. She also teaches for Clarinet Pro Workshops with Executive Director, Julie Linder. She is currently principal clarinet in the Edmond Chamber Orchestra. Her conference performances include the International Double Reed Society, the International Horn Society, The International Clarinet Association’s Clarinetfest, the University of Oklahoma Clarinet Symposium, College Music Society National and Regional Conferences, and the Society of Composers, Inc. National Conference. An active chamber musician, she currently performs as a member of the Sugar Fish Reed Trio (with KaDee Bramlett, oboe and Lori Wooden, bassoon), the Post Oak Trio (with Robert Glaubitz, baritone and Sallie Pollack, piano), the Otis Trio (with Tess RemySchumacher, cello and Sallie Pollack, piano), and the Lupine Trio (with Hong Zhu, violin and Sallie Pollack, piano). Her CD featuring these groups, 'Connections: Trios', will be released this summer at the International Clarinet Association's Clarinetfest. Dawn Marie previously taught the clarinet studio at Southeastern Louisiana University in Hammond, La. Prior to that position she served as visiting professor of clarinet and chamber music at the Puerto Rico Conservatory of Music. She studied with renowned pedagogues Dr. Elsa Ludewig-Verdehr, Dr. James Gillespie and Dr. Kimberly Cole-Luevano. Dawn Marie Lindblade is a Selmer Paris performing artist and performs on Seles Présence clarinets. Dawn Marie is also a Performing and Reserve Method Artist for D’Addario Woodwinds and performs exclusively on Reserve Mouthpieces and reeds. Dr. Lori Wooden holds a Doctorate in Musical Arts from the University of Wisconsin, a MM from the University of Minnesota and a BS in Music Education from St. Cloud University. She is currently a member of the Enid Philharmonic Orchestra. She has also performed with the Oklahoma City Philharmonic Orchestra and the Lawton Philharmonic Orchestra. Prior to moving the OK, Dr. Wooden was a member of the Duluth-Superior Symphony Orchestra (contra bassoon), the Madison Symphony Orchestra (contra bassoon), the Oshkosh Symphony Orchestra (principal bassoon) and the Greater Rochester (NY) Women's Philharmonic Orchestra (bassoon). Dr. Wooden teaches bassoon, chamber music, arts management and is the associate conductor of the UCO Symphony Orchestra. Her teachers include John Miller and Mark Kelly (Minnesota Orchestra); Chuck Ullery (St. Paul Chamber Orchestra); Richard Lottridge (Chicago Symphony); Abe Weiss (Rochester Philharmonic); and Jill Marderness (Quintessence-Phoenix, AZ). Before moving to Oklahoma, Dr. Wooden was the assistant conductor and manager of the Hochstein Youth Symphony Orchestra at the Hochstein Music School in Rochester, NY as well as a music faculty member at Hobart and William Smith Colleges and the Monroe Community College. She has served on the faculty of the University of Wisconsin-Oshkosh. From 1988-2003, Dr. Wooden was the instructor of bassoon and saxophone at the Interlochen Arts Camp in Interlochen, MI. She is a founding member of the Sugar Fish Reed Trio and actively promotes chamber music in the area. Robert Glaubitz, baritone, holds the positions of Assistant Director of the University of Central Oklahoma School of Music as well as the Director of UCO Opera and Artistic Director of Painted Sky Opera, a professional opera company located in Oklahoma City. In addition to his leadership positions at the UCO School of Music, Dr. Glaubitz teaches applied voice and opera at the University of Central Oklahoma. He is well-regarded as a performer, teacher, stage director, and researcher. He is best known for his website The Aria Database (http://www.aria-database.com), an online repository of information on more than one-thousand operatic arias. The Aria Database has received numerous awards and has been featured by the New York Times and Australian Public Radio. It has been aiding singers in their preparation of arias since 1996. Dr. Glaubitz performs regularly, with recent appearances with the Oklahoma City Philharmonic, the UCO Wind Symphony, and TACTUS chamber ensemble. He performed at the 2014 Campina Grande Music Festival in Brazil as a Resident Artist. Other performances include solo performances at the OKC Museum of Art, the Colorado Mahlerfest, the New York City Duo Fest, Center City Opera, as well as concert series throughout the United States. He has performed on public radio and television in Wisconsin, Colorado, and Oklahoma. Dr. Glaubitz has appeared in lead roles in a wide variety of operas and musicals, including Le Nozze di Figaro, Die Fledermaus, Iolanthe, HMS Pinafore, Carmen, The Old Maid and the Thief, The Mikado, The Music Man, Trial By Jury, The Merry Widow, Anything Goes, Kiss Me Kate, and Pirates of Penzance. Dr. Glaubitz received his DMA in Vocal Performance and Pedagogy from the University of Colorado at Boulder, with his major document exploring the issues of a guitar and voice collaboration, including a study of available repertoire. He received his MM in Vocal Performance from CU-Boulder as well and his BM in Vocal Performance from the Hartt School at the University of Hartford. He previously held full-time positions on the faculty of Northern State University and University of Wisconsin – Green Bay.